Yîm-fù sṳ̀-chhṳ̍t

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Yîm-fù sṳ̀-chhṳ̍t, chhai ngo̍k-phú chûng yung-lòi péu-tha̍t kok yîm-fù chṳ̂-kiên ke siông-tui chhṳ̀-sa sṳ̀-kiên .

Yîm-fù Hiû-chṳ́-fù Miàng-chhṳ̂n Yîn-koet Miàng-chhṳ̂n Ka-chhṳ̍t Tai-tiám sú-chhṳ̍t Sûng-tiám-chhṳ̍t Sâm-chhùng-chhṳ̍t
Music-octwholenote.svg Maxima rest.svg large, duplex longa, or maxima[1][2] 8 8 + 4 8 + 4 + 2 8 + 4 + 2 + 1
Longa.gif Longa rest.svg Chhòng Yîm-fù [2][3][4] (longa)[5] 4 4 + 2 4 + 2 + 1 4 + 2 + 1 + 1/2
Breve.gif Breve rest.svg Sûng-chhiòn Yîm-fù,[6] (double note)[7][8][9] breve 2 2 + 1 2 + 1 + 1/2 2 + 1 + 1/2 + 1/4
Whole note.gif Whole rest.svg Chhiòn Yîm-fù semibreve 1 1 + 1/2 1 + 1/2 + 1/4 1 + 1/2 + 1/4 + 1/8
Half note.gif Half rest.svg Ngi-fûn Yîm-fù‎ minim 1/2 1/2 + 1/4 1/2 + 1/4 + 1/8 1/2 + 1/4 + 1/8 + 1/16
Quarter note.gif Crotchet rest alt plain-svg.svg or Crotchet rest plain-svg.svg Si-fûn Yîm-fù‎ crotchet 1/4 1/4 + 1/8 1/4 + 1/8 + 1/16 1/4 + 1/8 + 1/16 + 1/32
Eighth note.gif Eighth rest.svg Pat-fûn Yîm-fù‎ quaver 1/8 1/8 + 1/16 1/8 + 1/16 + 1/32 1/8 + 1/16 + 1/32 + 1/64
Sixteenth note.gif 16th rest.svg Sṳ̍p-liuk-fûn Yîm-fù‎ semiquaver 1/16 1/16 + 1/32 1/16 + 1/32 + 1/64 1/16 + 1/32 + 1/64 + 1/128
32nd note.svg 32nd rest.svg Sâm-sṳ̍p-ngi-fûn Yîm-fù‎ demisemiquaver 1/32 1/32 + 1/64 1/32 + 1/64 + 1/128 1/32 + 1/64 + 1/128 + 1/256
64th note.svg 64th rest.svg Liuk-sṳ̍p-si-fûn Yîm-fù‎ hemidemisemiquaver 1/64 1/64 + 1/128 1/64 + 1/128 + 1/256 1/64 + 1/128 + 1/256 + 1/512
Quintuple-croche tête en bas.svg 128th rest.svg Yit-pak Ngi-sṳ̍p-pat-fûn Yîm-fù‎ semihemidemisemiquaver[10][11] (rare) 1/128 1/128 + 1/256 1/128 + 1/256 + 1/512 1/128 + 1/256 + 1/512 + 1/1024
Semigarrapatea.svg Silencio de semigarrapatea.svg Ngi-pak Ńg-sṳ̍p-liuk-fûn Yîm-fù demisemihemidemisemiquaver[12] (rare) 1/256 1/256 + 1/512 1/256 + 1/512 + 1/1024 1/256 + 1/512 + 1/1024 + 1/2048
  1. William Smythe Babcock Mathews and Emil Liebling, "Large", Pronouncing and Defining Dictionary of Music (Cincinnati, New York, London: J. Church and Company, 1896).
  2. 2.0 2.1 Theodore Baker, A Dictionary of Musical Terms: Containing Upwards of 9,000 English, French, German, Italian, Latin, and Greek Words and Phrases, third edition, revised and enlarged (New York: G. Schirmer, 1897): 131.
  3. Music Dictionary (Do–Dq) Dolmetsch.com (accessed 4 February 2015).
  4. William Smythe Babcock Mathews and Emil Liebling, "Double Note", Pronouncing and Defining Dictionary of Music (Cincinnati, New York, London: J. Church and Company, 1896).
  5. John Morehen and Richard Rastall, "Note values"", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
  6. John Morehen, Richard Rastall, "Breve" and "Note values," New Grove Dictionary of Music and Musicians, 2nd edition (2001).
  7. "Double Note", Webster's Revised Unabridged Dictionary, (C. & G. Merriam Co., 1913).
  8. "Music Dictionary (Do–Dq)" Dolmetsch.com (accessed 4 February 2015).
  9. Lowell Mason, Manual of the Boston Academy of Music (Boston, 1843): 67.
  10. Robert J. Miller (2015). Contemporary Orchestration: A Practical Guide to Instruments, Ensembles, and Musicians. London: Routledge. p. 38. ISBN 978-0-415-74190-3. 
  11. David Haas (2011). "Shostakovich’s Second Piano Sonata: A Composition Recital in Three Styles". In Pauline Fairclough; David Fanning (eds.). The Cambridge Companion to Shostakovich. Cambridge Companions to Music. Cambridge and New York: Cambridge University Press. ISBN 978-1-139-00195-3. doi:10.1017/CCOL9780521842204.006. The listener is right to suspect a Baroque reference when a double-dotted rhythmic gesture and semihemidemisemiquaver triplets appear to ornament the theme. 
  12. http://csee.essex.ac.uk/camerata/unlp_asooja_long_14.pdf