Yîm-fù sṳ̀-chhṳ̍t
外觀
Yîm-fù sṳ̀-chhṳ̍t, chhai ngo̍k-phú chûng yung-lòi péu-tha̍t kok yîm-fù chṳ̂-kiên ke siông-tui chhṳ̀-sa sṳ̀-kiên .
Yîm-fù | Hiû-chṳ́-fù | Miàng-chhṳ̂n | Yîn-koet Miàng-chhṳ̂n | Ka-chhṳ̍t | Tai-tiám sú-chhṳ̍t | Sûng-tiám-chhṳ̍t | Sâm-chhùng-chhṳ̍t |
---|---|---|---|---|---|---|---|
large, duplex longa, or maxima[1][2] | 8 | 8 + 4 | 8 + 4 + 2 | 8 + 4 + 2 + 1 | |||
Chhòng Yîm-fù [2][3][4] (longa)[5] | 4 | 4 + 2 | 4 + 2 + 1 | 4 + 2 + 1 + 1/2 | |||
Sûng-chhiòn Yîm-fù,[6] (double note)[7][8][9] | breve | 2 | 2 + 1 | 2 + 1 + 1/2 | 2 + 1 + 1/2 + 1/4 | ||
Chhiòn Yîm-fù | semibreve | 1 | 1 + 1/2 | 1 + 1/2 + 1/4 | 1 + 1/2 + 1/4 + 1/8 | ||
Ngi-fûn Yîm-fù | minim | 1/2 | 1/2 + 1/4 | 1/2 + 1/4 + 1/8 | 1/2 + 1/4 + 1/8 + 1/16 | ||
or | Si-fûn Yîm-fù | crotchet | 1/4 | 1/4 + 1/8 | 1/4 + 1/8 + 1/16 | 1/4 + 1/8 + 1/16 + 1/32 | |
Pat-fûn Yîm-fù | quaver | 1/8 | 1/8 + 1/16 | 1/8 + 1/16 + 1/32 | 1/8 + 1/16 + 1/32 + 1/64 | ||
Sṳ̍p-liuk-fûn Yîm-fù | semiquaver | 1/16 | 1/16 + 1/32 | 1/16 + 1/32 + 1/64 | 1/16 + 1/32 + 1/64 + 1/128 | ||
Sâm-sṳ̍p-ngi-fûn Yîm-fù | demisemiquaver | 1/32 | 1/32 + 1/64 | 1/32 + 1/64 + 1/128 | 1/32 + 1/64 + 1/128 + 1/256 | ||
Liuk-sṳ̍p-si-fûn Yîm-fù | hemidemisemiquaver | 1/64 | 1/64 + 1/128 | 1/64 + 1/128 + 1/256 | 1/64 + 1/128 + 1/256 + 1/512 | ||
Yit-pak Ngi-sṳ̍p-pat-fûn Yîm-fù | semihemidemisemiquaver[10][11] (rare) | 1/128 | 1/128 + 1/256 | 1/128 + 1/256 + 1/512 | 1/128 + 1/256 + 1/512 + 1/1024 | ||
Ngi-pak Ńg-sṳ̍p-liuk-fûn Yîm-fù | demisemihemidemisemiquaver[12] (rare) | 1/256 | 1/256 + 1/512 | 1/256 + 1/512 + 1/1024 | 1/256 + 1/512 + 1/1024 + 1/2048 |
- ↑ William Smythe Babcock Mathews and Emil Liebling, "Large", Pronouncing and Defining Dictionary of Music (Cincinnati, New York, London: J. Church and Company, 1896).
- ↑ 2.0 2.1 Theodore Baker, A Dictionary of Musical Terms: Containing Upwards of 9,000 English, French, German, Italian, Latin, and Greek Words and Phrases, third edition, revised and enlarged (New York: G. Schirmer, 1897): 131.
- ↑ Music Dictionary (Do–Dq) Dolmetsch.com (accessed 4 February 2015).
- ↑ William Smythe Babcock Mathews and Emil Liebling, "Double Note", Pronouncing and Defining Dictionary of Music (Cincinnati, New York, London: J. Church and Company, 1896).
- ↑ John Morehen and Richard Rastall, "Note values"", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
- ↑ John Morehen, Richard Rastall, "Breve" and "Note values," New Grove Dictionary of Music and Musicians, 2nd edition (2001).
- ↑ "Double Note", Webster's Revised Unabridged Dictionary, (C. & G. Merriam Co., 1913).
- ↑ "Music Dictionary (Do–Dq)" Dolmetsch.com (accessed 4 February 2015).
- ↑ Lowell Mason, Manual of the Boston Academy of Music (Boston, 1843): 67.
- ↑ Robert J. Miller (2015). Contemporary Orchestration: A Practical Guide to Instruments, Ensembles, and Musicians. London: Routledge. p. 38. ISBN 978-0-415-74190-3.
- ↑ David Haas (2011). "Shostakovich’s Second Piano Sonata: A Composition Recital in Three Styles". In Pauline Fairclough; David Fanning (eds.). The Cambridge Companion to Shostakovich. Cambridge Companions to Music. Cambridge and New York: Cambridge University Press. ISBN 978-1-139-00195-3. doi:10.1017/CCOL9780521842204.006.
The listener is right to suspect a Baroque reference when a double-dotted rhythmic gesture and semihemidemisemiquaver triplets appear to ornament the theme.
- ↑ "Archive copy" (PDF). Archived from the original (PDF) on 2015-11-22. 2016-04-01 chhà-khon.