Yîm-fù sṳ̀-chhṳ̍t

Yîm-fù sṳ̀-chhṳ̍t, chhai ngo̍k-phú chûng yung-lòi péu-tha̍t kok yîm-fù chṳ̂-kiên ke siông-tui chhṳ̀-sa sṳ̀-kiên .

Hiû-chṳ́-fù	Miàng-chhṳ̂n	Yîn-koet Miàng-chhṳ̂n	Ka-chhṳ̍t	Tai-tiám sú-chhṳ̍t	Sûng-tiám-chhṳ̍t	Sâm-chhùng-chhṳ̍t
	large, duplex longa, or maxima^[1]^[2]		8	8 + 4	8 + 4 + 2	8 + 4 + 2 + 1
	Chhòng Yîm-fù ^[2]^[3]^[4] (longa)^[5]		4	4 + 2	4 + 2 + 1	4 + 2 + 1 + 1/2
	Sûng-chhiòn Yîm-fù,^[6] (double note)^[7]^[8]^[9]	breve	2	2 + 1	2 + 1 + 1/2	2 + 1 + 1/2 + 1/4
	Chhiòn Yîm-fù	semibreve	1	1 + 1/2	1 + 1/2 + 1/4	1 + 1/2 + 1/4 + 1/8
	Ngi-fûn Yîm-fù‎	minim	1/2	1/2 + 1/4	1/2 + 1/4 + 1/8	1/2 + 1/4 + 1/8 + 1/16
or	Si-fûn Yîm-fù‎	crotchet	1/4	1/4 + 1/8	1/4 + 1/8 + 1/16	1/4 + 1/8 + 1/16 + 1/32
	Pat-fûn Yîm-fù‎	quaver	1/8	1/8 + 1/16	1/8 + 1/16 + 1/32	1/8 + 1/16 + 1/32 + 1/64
	Sṳ̍p-liuk-fûn Yîm-fù‎	semiquaver	1/16	1/16 + 1/32	1/16 + 1/32 + 1/64	1/16 + 1/32 + 1/64 + 1/128
	Sâm-sṳ̍p-ngi-fûn Yîm-fù‎	demisemiquaver	1/32	1/32 + 1/64	1/32 + 1/64 + 1/128	1/32 + 1/64 + 1/128 + 1/256
	Liuk-sṳ̍p-si-fûn Yîm-fù‎	hemidemisemiquaver	1/64	1/64 + 1/128	1/64 + 1/128 + 1/256	1/64 + 1/128 + 1/256 + 1/512
	Yit-pak Ngi-sṳ̍p-pat-fûn Yîm-fù‎	semihemidemisemiquaver^[10]^[11] (rare)	1/128	1/128 + 1/256	1/128 + 1/256 + 1/512	1/128 + 1/256 + 1/512 + 1/1024
	Ngi-pak Ńg-sṳ̍p-liuk-fûn Yîm-fù	demisemihemidemisemiquaver^[12] (rare)	1/256	1/256 + 1/512	1/256 + 1/512 + 1/1024	1/256 + 1/512 + 1/1024 + 1/2048

↑ William Smythe Babcock Mathews and Emil Liebling, "Large", Pronouncing and Defining Dictionary of Music (Cincinnati, New York, London: J. Church and Company, 1896).
↑ ^2.0 ^2.1 Theodore Baker, A Dictionary of Musical Terms: Containing Upwards of 9,000 English, French, German, Italian, Latin, and Greek Words and Phrases, third edition, revised and enlarged (New York: G. Schirmer, 1897): 131.
↑ Music Dictionary (Do–Dq) Dolmetsch.com (accessed 4 February 2015).
↑ William Smythe Babcock Mathews and Emil Liebling, "Double Note", Pronouncing and Defining Dictionary of Music (Cincinnati, New York, London: J. Church and Company, 1896).
↑ John Morehen and Richard Rastall, "Note values"", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
↑ John Morehen, Richard Rastall, "Breve" and "Note values," New Grove Dictionary of Music and Musicians, 2nd edition (2001).
↑ "Double Note", Webster's Revised Unabridged Dictionary, (C. & G. Merriam Co., 1913).
↑ "Music Dictionary (Do–Dq)" Dolmetsch.com (accessed 4 February 2015).
↑ Lowell Mason, Manual of the Boston Academy of Music (Boston, 1843): 67.
↑ Robert J. Miller (2015). Contemporary Orchestration: A Practical Guide to Instruments, Ensembles, and Musicians. London: Routledge. p. 38. ISBN 978-0-415-74190-3.
↑ David Haas (2011). "Shostakovich’s Second Piano Sonata: A Composition Recital in Three Styles". In Pauline Fairclough; David Fanning (eds.). The Cambridge Companion to Shostakovich. Cambridge Companions to Music. Cambridge and New York: Cambridge University Press. ISBN 978-1-139-00195-3. doi:10.1017/CCOL9780521842204.006. The listener is right to suspect a Baroque reference when a double-dotted rhythmic gesture and semihemidemisemiquaver triplets appear to ornament the theme.
↑ http://csee.essex.ac.uk/camerata/unlp_asooja_long_14.pdf

[1] William Smythe Babcock Mathews and Emil Liebling, "Large", Pronouncing and Defining Dictionary of Music (Cincinnati, New York, London: J. Church and Company, 1896).

[Baker131-2] 2.0 ^2.1 Theodore Baker, A Dictionary of Musical Terms: Containing Upwards of 9,000 English, French, German, Italian, Latin, and Greek Words and Phrases, third edition, revised and enlarged (New York: G. Schirmer, 1897): 131.

[3] Music Dictionary (Do–Dq) Dolmetsch.com (accessed 4 February 2015).

[4] William Smythe Babcock Mathews and Emil Liebling, "Double Note", Pronouncing and Defining Dictionary of Music (Cincinnati, New York, London: J. Church and Company, 1896).

[5] John Morehen and Richard Rastall, "Note values"", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).

[6] John Morehen, Richard Rastall, "Breve" and "Note values," New Grove Dictionary of Music and Musicians, 2nd edition (2001).

[7] "Double Note", Webster's Revised Unabridged Dictionary, (C. & G. Merriam Co., 1913).

[8] "Music Dictionary (Do–Dq)" Dolmetsch.com (accessed 4 February 2015).

[9] Lowell Mason, Manual of the Boston Academy of Music (Boston, 1843): 67.

[10] Robert J. Miller (2015). Contemporary Orchestration: A Practical Guide to Instruments, Ensembles, and Musicians. London: Routledge. p. 38. ISBN 978-0-415-74190-3.

[11] David Haas (2011). "Shostakovich’s Second Piano Sonata: A Composition Recital in Three Styles". In Pauline Fairclough; David Fanning (eds.). The Cambridge Companion to Shostakovich. Cambridge Companions to Music. Cambridge and New York: Cambridge University Press. ISBN 978-1-139-00195-3. doi:10.1017/CCOL9780521842204.006. The listener is right to suspect a Baroque reference when a double-dotted rhythmic gesture and semihemidemisemiquaver triplets appear to ornament the theme.

[12] ttp://csee.essex.ac.uk/camerata/unlp_asooja_long_14.pdf

[1]

[2]

[3]

[4]

[5]

[6]

[7]

[8]

[9]

[10]

[11]

[12]

Yîm-fù sṳ̀-chhṳ̍t

Thô-hòng chhoi-tân